01 / Cutting
Narrative editing
Selection, structure, continuity and pacing so every shot has a reason to be there.
Editing / Panama / remote and in person
Video editor
in Panama.
A professional video editor for brands, creators and production teams that need real footage shaped into work with rhythm, intention and a clear visual voice.
Talk about a project
What I can solve
An edit that knows what to leave out.
For teams looking to hire a video editor in Panama, the tools follow the story: cutting, design, compositing or a complete visual system.
02 / Movement
Motion graphics
Titles, graphics and transitions that clarify or intensify the piece without distracting from it.
03 / Image
VFX and compositing
Layer integration, cleanup, compositing and visual finishing for existing footage.
04 / Systems
AI visual systems
Generative image exploration and creative tools when they expand the visual direction.
05 / Delivery
Screen-ready versions
Adaptations built for formats, platforms and teams that need to keep publishing.
06 / Judgment
Editorial perspective
A clear conversation about what the piece needs to say before opening the timeline.
Selected work
Stories with different speeds.
A selection of projects where editing, image and technology meet.
Nick Cannon’s Big Drive
Post-production leadership, motion graphics and editing for eight episodes of season two.
View project in Spanish
Dhar Mann Studios
Narrative editing focused on performance, dialogue, reactions and timing in 2022–23.
View project in Spanish
BOZA — PERTHRO
Visual development and music artwork for Sony Music Spain.
View project in SpanishHow we start
Understand the piece first.
Coordination can be remote or in person in Panama, depending on the project and team.
01 / Brief
Context before the cut
We discuss the goal, audience, footage and what the piece needs the viewer to feel.
02 / Edit
A first reading
The material gets a structure that makes decisions easy to review and discuss.
03 / Refine
Detail with purpose
Pacing, sound, graphics, compositing and versions are refined through the conversation.
Questions before we start
What helps to clarify.
Every project is discussed according to its footage, scope and goal.
What can the service deliver?
The scope can include a main cut, platform versions, subtitles, motion graphics, compositing or VFX, depending on the piece.
What should I send first?
A short brief with the goal, available footage, references and deadline helps define the right workflow.
How is pricing decided?
I quote each project individually. The budget depends on the footage, complexity, deliverables and agreed scope; there is no fixed public rate.
Can we work remotely or in person?
Yes. Coordination can be remote or in person in Panama, depending on the project and team.
Can I reserve a delivery date?
Dates and availability are agreed individually after reviewing the brief, footage and scope.
Tell me what you are building
Make it
felt.
Email the project type, available footage, deadline, deliverables and, if useful, your expected budget.